Research – Talking

I found some research on talking; seems appropriate as my piece is on talking. Read the article, it’s about a study into how cold callers presuade someone or are successful because of their voice. The principle could be used to see how you make friends, get a partner and so on based on your voice. If we think about great actors the audence love their voice and that’s what draws people. Stephen Fry, Jeremy Irons and Judi Dench have a wonderful pitch and a good pace that make people want to listen.

“Really fast talkers were relatively unsuccessful, I guess because they were experienced as fast talkers. Also unsuccessful were really slow talkers, maybe because they were seen as stupid or stilted. So, the middle path – in terms of speech rate – is indicated if one wishes to be persuasive.

Males with a lower pitched voice were more persuasive than those with a higher pitched voice. Perhaps pitch signals age or maturity. Pitch made no difference for females making the initial telephone calls. Interestingly, variation in pitch – which might make a person sound more animated – had little effect on the persuasiveness of speech by males or females. At least for me, a monotone is probably fine, at least if it is not high-pitched.

What about fluency, gauged by pauses in what one says? These findings made me, um, smile. It turns out that pausing – whether empty or filled – is more persuasive than not pausing, apparently because normal (that is, spontaneous) speech entails four or five pauses per minute, and the person who never pauses sounds phony. Fluency is over-rated, which I did not know.

This research makes me think of phone calls I am now receiving, with annoying regularity, after I innocently participated some months ago in a brief telephone survey about my “investment” beliefs and attitudes. Apparently, my phone number and whatever information I provided were sold to dozens of investment companies, representatives of which now call me day and night. I doubt I would ever commit thousands of dollars to a stranger over the phone, but I certainly won’t do it with any of the folks who have been calling me. They talk too fast. They are too animated and too ready to laugh at my jokes, including the ones I am not making. They are too glib and too rehearsed. And they won’t take no for an answer. I actually hung up on someone last week, which I have never before done in my entire life, some years of which have been spent on the telephone.”

(Christopher Peterson, 2011)

Now, my piece isn’t on talking but it is interesting to think that the conversations you have and whether people engage with them are affect by your voice.

 

Research – Peter Kay

When I decided to put a taxi driver part in my piece I had to put this video of Peter Kay up. His talk on taxi driver’s is brilliant and I think it’s because of him that when ever I’m in a taxi I ask, “Been busy today?” and “what time you on til?”

Both lines have made it into my script. Enjoy!

 

Research – Tim Minchin

Warning! This clip contains strong language.

I’m putting up a clip from another Australian comedian; people will start to think that I’m trying to win favour with my tutor. The truth is that I really like the surreal nature of Minchin’s comedy – you can probably tell by now that I do want to create a comic piece which is why so much of my inspiration is drawn from stand up comedians. At some point you will see me posting something about Lee Evans and his character work. I particularly like this piece though because of the timing; someone else was considering doing a performance on the same topic about going to Doctors and personal issues so I recommended this clip to them for inspiration. You can look at their website by clicking here.

But for me it’s about the interior monologue coming forth which was something I was going to explore but am doing in another way – through conversations. It’s also about what a solo performance is; making the personal public. I don’t know if any of this speech is true and if parts are then they’ve been exaggerated but there is also that exploration of truth in a performance. Once again; enjoy the clip and let me know what you think. This is Tim Minchin’s attempt to be a poet; the poem called Angry or (feet).

WARNING! There is strong language used in this clip and content some viewers may find upsetting.

 

Research – Brendon Burns plants a Heckler

MUST READ BELOW BEFORE WATCHING THE CLIP!

I post this comedians performance with some trepidation; it raises some very serious issues in a very aggressive way.  The first thing I must warn you of is the strong use of language; if you are easily offended then don’t watch this clip but look at some other posts on my site. The reason I’m using this clip is because of the audience interaction and it’s taken me a while to find the full video as some people have been, to put it bluntly stupid by, just putting part of the video up so those who see it think it’s real (you’ll understand if and when you watch it). I have been trawling though comments on youtube and other sites where people have written “she had it coming”, “what a ….!” and so on. The reaction is the point of it.

To explain, Brendon is doing his stand up routine and he seemingly picks on this brother and sister in the audience. The woman starts to heckle him and accusing him of being racist. This is where the problem lies as people end the clip with her leaving and the audience are cheering; but actually she and her ‘brother’ (you’ll understand why I use ” when you watch the video) are a plant. The whole point is to whip the audience up into some reaction, they return to the stage and I don’t think there is anything more I need to add about that – Brendon explains it at the end anyway.

My point, though, is what is the purpose of a performance? This is what Brendan attempts to say really; it’s all well and good providing entertainment – if that is the purpose of your production then fine. However, you can still be entertaining and provide a message which is quite a Brechtian thing to say really – he wrote The Resistable Rise of Arturo Ui which is entertaining but through the entertainment and ridiculousness presents the idea that Hitler could of been stopped. This is my thought process; I began by wanting to create an entertaining piece but now I have those elements I am considering my point/message and if you follow my writings hopefully you’ll start to see that developing.

So, here is the clip – I hope you enjoy it and please comment your opinions but above all please remember it isn’t real (and forgive me for the strong language and content, I don’t wish to offend)

WARNING, THIS CLIP CONTAINS STRONG LANGUAGE AND CONTENT SOME VIEWERS MAY FIND UPSETTING!

 

Research – Slava’s Snow Show

This is a beautiful show which I’m sure you’ve read enough about in my blog posts but it is a show which has stuck in my mind and continues to inspire me. It is not technically a one man show but the action does focus on one main character. There is no actual speech but it is a wonderful surreal piece that depicts scenes of emotion and atmosphere. This is the finale so enjoy it and leave comments. The whole production is inspired by works of Artaud and Brecht. I really like how it simply demonstrates the atmospheres in the most simple, un-complicated way. In my own performance I am moving away from the surreal elements but this is where my ideas did begin.

 

Research – The Boy with tape on his face

This is a brilliant performer – and I’m sure my tutor will enjoy this because he always states that a performance doesn’t need to make sense and this one doesn’t. It does, however, make sense through its small segments; the audience can understand and relate to each emotion being protrayed in the moments created. You can see the inspiration from Brecht in this piece and it reminds me of Slava’s Snow Show. This type of work was what I was hoping to incorporate in my piece somehow; though as yet I am unsure how but I do like the surreal element. There is also fantastic audience interaction by this performer and I’m not just talking the obvious part where and man is brought on stage but the small exchanges as well.

This is just a short clip taken from the Royal Variety Performance; let me know what you think and I hope you enjoy it as much as I do. If you’d like to find out more about the performer please click here.  

 

 

A quick note to my readers

I feel I must explain why I haven’t put anything new up this week; it is because I have an essay deadline for tomorrow (Mon 20th Feb). The essay is nearly complete, only 200/2500 words to complete it – I’m currently on 2300 – but this is why there isn’t any research or new writing put up and I’m still in the process of creating my diary page. Do not worry though as I have a reading week starting tomorrow where I shall be returning my focus back to this blog and my dissertation. I have two new performance ideas to write up and some research but for now I shall leave you with this; on Friday I went and saw a fabulous solo performance by Caroline Horton called You’re Not Like the Other Girls Chrissy (please click here to visit her website). Incidentally it is this performance that I am writing my essay on; a fantastic biographic piece about the war time romance of Chrissy – a French woman waiting for the war to end so she can go to England to marry her fiancée. I don’t want to give too much away as it is a must see show and you can check out the link above to get details. I particularly enjoyed it because the woman it is based on lived in the town I grew up in and although the show is set in France the love affair began in Cheadle, Staffordshire. For now though I must return to my essay; new posts will come soon – I promise.

Research – Rick Genest

This Rick Genest, or Zombie Boy, who is covered in tattoos. Now there are arguments that this is an advert and not a solo performance; and I would agree that it is an advert and because there are other people it is not a solo performance. However, it is very interesting to watch as he is revealling his true self – interesting tag line at the start. This is what I am drawing out of it; a solo performance should in someway reveal something about the performer, whether – like Metrano or Gray – it’s a personal story or experience or, like Genest in the video just reveals the self he has created and is proud of. It is also a beautiful liminal performance because he is tattooed but appears not to be and when his tattoo’s are revealled he is still a person. His person, who he is, doesn’t change but his appearance does and that intrigues me. Though you may still see it as just an advert.

 

 

Research – Art Metrano

This is a performer I am researching for my dissertation and I am sure you recognise the name; Art Metrano was in the Police Academy films and unfortunately he had an accident where he fell from a ladder which left him disabled. While he was recovering he wrote this wonderful performance about his experiences, thoughts and feelings and called it Accidental Comedy. It was a huge success which helped with his recovery. Unfortunately this isn’t the best video of the performance – for some reason when you search the internet for him Robin Williams always comes up – but this is a clip of his performance with some feedback and a strange montage opening which, I believe, is trying to impress upon the viewer how successful the show was. If anyone knows where a better clip is please post a link and I will embed it, though until I find one this will have to suffice. I’m interested by this performance because Metrano succeeds in bringing something so personal and painful to the stage in a comic way; which many performers can not do. Although you can’t see it in this clip, he has a great talent for holding his audience and involving each one.

 

 

Research – Spalding Gray

This is Spalding Gray in Swimming to Cambodia, it’s only a short section from part way through but what intrigues me about this piece is his rhythm and tempo mixed with his use of light and sound; he creates a beautiful leitmotif performance. This is something I am trying to include in my own writings.